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The woofer size is often indicated by the name of the speaker (e.g. The larger the woofer size – the louder the monitor. If you have a small room in which to work, a large set of monitors may be unnecessary. The room you intend to use your monitors in will determine what size of speaker you require. That being said, acoustic treatment – particularly in small rooms – is still ideal to absolve all room reflections, regardless of monitor choice. If your room is larger, then mid-field or far-field monitors may be better suited for listening. Near-field monitors are the most common choices for a home studio setup as they allow you to better hear the sound coming directly from your speakers rather than what reflects off the walls, floor, and ceiling. In near-field monitors, this sweet spot is designed to be quite close to the speakers (around 1-2 meters away generally). This often referred to as the ‘sweet spot.’ To optimise the accuracy of the speakers’ sound, they should be angled in such a way that your head forms the center point of an equilateral triangle between the two woofers. Near-field monitors are the prime choice for a close listening distance, while far-field monitors are designed to push sound accurately over a longer distance. This refers to the configuration a monitor is designed for. You will often see these terms near-field, mid-field or far-field within the description of a monitor. At the end of the day, your ears are the best judge of what is good and what is not.
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That being said, you can find smaller speakers that really kick down there. What you can be sure of is that most monitors that have a 5-inch woofer will drop off at around 50Hz, meaning if you need to have a clear low-end you may want to invest in something a little bigger. This is because the frequency response of monitors can change according to sometimes overlooked details like their placement and surrounding. This is helpful for giving a simplified indication of a monitor’s accuracy.īe careful however, as comparing monitors by frequency response can be of limited usefulness. What you really want to look at is the frequency response of the monitors, which is the analysis of frequency versus amplitude.įor example, a small set of speakers may be able to reach a low range of 30Hz, but the amplitude at that frequency may be -15dB making the low end practically non-existent.
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Whilst the human ear can in theory hear from 20Hz to 20kHz, not many of us actually do (particularly those of us closer to having a pension). Most stereo monitors list their bottom end as hertz and their top end as kilohertz e.g.
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Seeing as accuracy is key in selecting a pair of studio monitors, you want them to be able to handle the full frequency range of your recordings or playing.